Jean Kelly

Harp

Normal | “Elegant, stylish and deliciously nuanced playing.” Irish IndependentJean Kelly hails from an Irish family of several generations of professional musicians. Jean won a scholarship to study harp at the Royal College of Music, London. She is in great demand as a versatile harpist, with an eclectic career ranging from Early Music to Contemporary Classical and Folk Music. She has recorded three CD's with the Locrian Ensemble, including Handel Harp Concerto and Mozart Flute and harp Concerto. A CD of Chamber Music by Richard Arnell was Editor’s Choice in Gramophone magazine. She has also recorded for the Guild and Stockfisch labels. Jean has performed on commercial film and TV soundtracks, for composers such as Debbie Wiseman, Jonny Greenwood, Max Richter and Dario Marianelli. She played solo harp on Michael Kiwanuka’s Mercury Prize winning album. Jean regularly guests with The Telling and The Society of Strange and Ancient Instruments, playing medieval, gothic, celtic and triple harps. She loves the freedom of playing and improvising with these groups, extending beyond the printed notes, and drawing on her past musical influences.

“Elegant, stylish and deliciously nuanced playing.” Irish Independent

Jean Kelly hails from an Irish family of several generations of professional musicians. Jean won a scholarship to study harp at the Royal College of Music, London. She is in great demand as a versatile harpist, with an eclectic career ranging from Early Music to Contemporary Classical and Folk Music.

She has recorded three CD's with the Locrian Ensemble, including Handel Harp Concerto and Mozart Flute and harp Concerto. A CD of Chamber Music by Richard Arnell was Editor’s Choice in Gramophone magazine. She has also recorded for the Guild and Stockfisch labels.

Jean has performed on commercial film and TV soundtracks, for composers such as Debbie Wiseman, Jonny Greenwood, Max Richter and Dario Marianelli. She played solo harp on Michael Kiwanuka’s Mercury Prize winning album.

Jean regularly guests with The Telling and The Society of Strange and Ancient Instruments, playing medieval, gothic, celtic and triple harps. She loves the freedom of playing and improvising with these groups, extending beyond the printed notes, and drawing on her past musical influences.

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MAS takes no responsibility for its accuracy.

Instruments
Harp, Celtic Harp, Remote Recording